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    <loc>https://sibiuandbeyond.eu/sibiu-and-beyond/il-duende-del-barocco-un-viaje-por-el-arte-que-se-atrevi-a-sentir</loc>
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      <image:title>Sibiu and Beyond - Baroque: an Art Movement that              Dared to Feel - Gian Lorenzo Bernini, The Ecstasy of Saint Teresa, sculpture, 1647–1652</image:title>
      <image:caption>Gian Lorenzo Bernini, The Ecstasy of Saint Teresa, Sculpture, 1647–1652, the exemplary fusion of body, mystical psychology, sculpture, architecture and controlled light.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69e097dde3f5c33203bdeefd/244fb302-6035-4bbb-9067-1fe3b05e6cf7/Francesco+Borromini+%E2%80%94+San+Carlo+alle+Quattro+Fontane_sibiuandbeyond.eu.jpg</image:loc>
      <image:title>Sibiu and Beyond - Baroque: an Art Movement that              Dared to Feel - That imprecision is not a weakness if we understand what the term is being asked to describe. The Baroque is less convincing as a single style than as a particular set of problems. How can painting make an invisible state visible? How can architecture make finite space suggest infinity? How can an instant imply time? How can light be simultaneously physical illumination, divine intervention, psychological revelation and political metaphor? How can the visible world be observed with increasing empirical precision while remaining saturated with allegorical and metaphysical meaning? And perhaps most characteristically: how can a work of art cease to be merely an object before the spectator and begin to act upon the spectator instead?</image:title>
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      <image:title>Sibiu and Beyond - Baroque: an Art Movement that              Dared to Feel - Make it stand out</image:title>
      <image:caption>Diego Velázquez, Las Meninas, 1656, Museo del Prado</image:caption>
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      <image:title>Sibiu and Beyond - Baroque: an Art Movement that              Dared to Feel</image:title>
      <image:caption>Johannes Vermeer — The Geographer, 1669</image:caption>
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      <image:title>Sibiu and Beyond - Baroque: an Art Movement that              Dared to Feel - Make it stand out</image:title>
      <image:caption>Caravaggio — The Incredulity of Saint Thomas, c. 1601–1602</image:caption>
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    <image:image>
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      <image:title>Sibiu and Beyond - Baroque: an Art Movement that              Dared to Feel - Make it stand out</image:title>
      <image:caption>Caravaggio — The Conversion of Saint Paul / Conversion on the Way to Damascus, 1600-1601</image:caption>
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      <image:title>Sibiu and Beyond - Baroque: an Art Movement that              Dared to Feel - Make it stand out</image:title>
      <image:caption>Pieter Claesz — Vanitas Still Life, 1630</image:caption>
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      <image:title>Sibiu and Beyond - Baroque: an Art Movement that              Dared to Feel - Make it stand out</image:title>
      <image:caption>Rembrandt van Rijn — The Return of the Prodigal Son, c. 1668–1669</image:caption>
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      <image:title>Sibiu and Beyond - Baroque: an Art Movement that              Dared to Feel - Make it stand out</image:title>
      <image:caption>Artemisia Gentileschi’s Mary Magdalene in Ecstasy, c. 1620s</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69e097dde3f5c33203bdeefd/511b9e01-770a-45a3-b7cd-06e8d151d0eb/Gian+Lorenzo+Bernini+%E2%80%94+Cornaro+Chapel%2C+Santa+Maria+della+Vittoria%2C+Rome%2C+1647%E2%80%931652_sibiuandbeyond.eu.jpg</image:loc>
      <image:title>Sibiu and Beyond - Baroque: an Art Movement that              Dared to Feel - Make it stand out</image:title>
      <image:caption>Gian Lorenzo Bernini — Cornaro Chapel, Santa Maria della Vittoria, Rome, 1647–1652</image:caption>
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      <image:title>Sibiu and Beyond - Baroque: an Art Movement that              Dared to Feel</image:title>
      <image:caption>Pietro da Cortona — Allegory of Divine Providence and Barberini Power, Palazzo Barberini ceiling, 1633–1639</image:caption>
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      <image:title>Sibiu and Beyond - Baroque: an Art Movement that              Dared to Feel - Giovanni Battista Gaulli, Triumph of the Name of Jesus, is located in the Church of the Gesù in Rome and was painted between 1672 and 1685</image:title>
      <image:caption>The real space occupied by the viewer and the represented space constructed by the artist are designed to operate together.</image:caption>
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      <image:title>Sibiu and Beyond - Baroque: an Art Movement that              Dared to Feel - Make it stand out</image:title>
      <image:caption>Johannes Vermeer, Girl with a Pearl Earring, c. 1665</image:caption>
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      <image:title>Sibiu and Beyond - Baroque: an Art Movement that              Dared to Feel - Johann Bernhard Fischer von Erlach, Karlskirche, 1716-1737</image:title>
      <image:caption>The Karlskirche (English: Charles Church) is a Baroque church in the Karlsplatz in Vienna, Austria. The church is dedicated to Saint Charles Borromeo, a leading figure of the Counter-Reformation. The church is located on the border of Wieden and the Innere Stadt, the city centre.</image:caption>
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